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Top Pigment

Phthalocyanine Blue Green Shade

PB15:3

Alternate Names

Phthalo Blue Green Shade

Berlin Blue

Moastial Blue

Monastral Blue

Thalo Blue

Pigment Description

The secret to sparkling transparent blues. When opaque it is practically black. This is a powerhouse blue that is a painter’s essential for creating cyans and teals. One of several phthalo blues, it’s also known as Phthalocyanine Blue BGS, Phthalo Blue Green Shade or just Phthalo Blue Green Shade. This variety of phthalo is made from the "b form" of 74160. This makes the best cyans and teals. Depending on the manufacturer, lightfastness is either excellent or decent in tints. Like other phthalo blues it is not considered to be toxic but depending on the age of the paint tube and/or the country of modern pigment manufacture, it can be contaminated with serious toxins. See Monona Rossol’s work for more.

Resources

PB15:3 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com

Spurgeon, Tad. Living Craft: A Painter's Process. Mt. Airy, Philadelphia, PA: Zoetrope, 2018. Newer version available here: https://www.thomaskitts.com/page/36804/tad-spurgeons-living-craft

Elliott, Virgil. Traditional Oil Painting. Echo Point Books & Media, LLC, 2019. https://amzn.to/4nwIdzq

Information about PB15:3 from Bruce MacEvoy, Handprint Guide to Watercolors, General information about this class of pigments from Handprint

CAMEO Materials Database: Conservation & Art Materials Encyclopedia Online, Museum of Fine Arts Boston. (Accessed June 2025). Phthalocyanine Blue https://cameo.mfa.org/wiki/Phthalocyanine_blue. Museum of Fine Arts Boston

Rossol, Monona. The Artist's Complete Health and Safety Guide. New York, NY : Allworth Press, 2001. The book is rather dated, updated information is available from her website

Ambrose, Trevor (2023, September 24). ASTM Lightfastness Testing for Oil Paints https://justpaint.org/astm-lightfastness-testing-for-oil-paints/. Just Paint, Golden Artist Colors.

Stats

Lightfastness

Excellent. May vary in watercolor

Lightfastness in oils tends to be excellent. This may vary though depending on the pigment supplier. More information on its lightfastness in watercolor can be found on Handprint. In Golden’s Lightfastness Testing on the effect of various mixing whites, Phthalo Blue tended to perform very well but there were a few notable exceptions. It tanked in Flake White in Linseed oil, which may be partially influenced by brand, as well as pure zinc white. Their particular pigment performed at ASTM I - Excellent in Titanium White in Linseed oil, Lithopone, and Flake White in Safflower Oil. Detailed results for Golden’s watercolor version of PB15:3 can be found here

Transparency

Transparent

Almost black in masstone, this creates some of the most vibrant cyan tints and glazes

Toxicity

Thought to be in the category of Lower Concern, but may contain contaminants

Tubes made before 1982 or even 1986 may contain PCBs or dioxins. Current phthalos may also contain toxic contaminants depending on country of manufacture or other variables. Treat all pigments and paints with studio safety protocols. Please see the Artist's Guide to Health and Safety for information about the hazards associated with copper pigments. The author's most recent updated writing can be found through her site.

Tinting

Extremely strong

One of the most powerful tinters. This color is one where it is almost always sold with extenders just to make the paint more usable.

Dry Time

Slow or Very Slow

Naturally slow or very slow (6-18 days). Many varieties dry in less than 5 days and are likely to contain driers.

Oil Content

Medium

Sources vary, but as a pigment it has a medium amount by volume. Some sources say when it is made into a paint, its oil by volume leans toward high. By weight, Artiscreation lists a wide range of approximately 45-84g/100g of oil, but your pigment may have different requirements. Weight ratios are a more dialed-in way to go about paintmaking, but volume ratios are more helpful for visualizing relative amounts, since pigments vary in weight.

Chemical Name

Beta Copper Phthalocyanine

C₃₂H₁₆CuN

Dry Pigments listing PB15:3

DISCLAIMER: Please note that we are not experts in health and safety and we are not toxicologists, please consult the proper experts. We are not liable for any issues that may arise from the use of our website or its contents. The information contained in this site is provided without warranty or guarantee of any kind. We do not necessarily endorse any other website that are linked from our site. For any important pigment specs, please reference the manufacturer details. If you discover errors or omissions, please reach out through our contact form. Thank you.

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