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Phthalocyanine Blue

PB15:2

Alternate Name

Phthalo Blue

Pigment Description

It’s fairly rare to find PB15:2. It’s one of several phthalo blues, and it seems like more of a red shade. The main categories are called Green Shade, which leans more cyan, and Red Shade, which tends to be a middle blue that leans slightly more toward indigo relative to other phthalos. The number after the colon in pigment code signifies this specific variety, which in this case is sometimes called Red Shade. PB15:1 is a more commonly found red-shade variety. Further general information can be found on the entry for PB15 as well as the in-depth article on Phthalo blues.

Phthalo Blue requires a moderate amount of oil. Opinion is divided on its drying time with some saying medium to slow and others listing it as fast, however it may contain driers. It seems to frequently contain additives, stabilizers, and extenders. Please see the Artist's Guide to Health and Safety for information about the hazards associated with copper pigments. The author's most recent updated writing can be found through her site. Phthalo Blue sometimes also contains dioxins and PCBs depending on how it was manufactured.

While phthalos are thought to be less toxic than other some paints, avoid tubes made before 1982 (or even we have heard as late as 1986) as they may be contaminated with impurities such as PCBs. Handle all artist colors with care.

Resources

PB15:2 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com

Spurgeon, Tad. Living Craft: A Painter's Process. Mt. Airy, Philadelphia, PA: Zoetrope, 2018. Newer version available here: https://www.thomaskitts.com/page/36804/tad-spurgeons-living-craft

Elliott, Virgil. Traditional Oil Painting. Echo Point Books & Media, LLC, 2019. https://amzn.to/4nwIdzq

General information about this class of pigments from Handprint

CAMEO Materials Database: Conservation & Art Materials Encyclopedia Online, Museum of Fine Arts Boston. (Accessed June 2025). Phthalocyanine Blue https://cameo.mfa.org/wiki/Phthalocyanine_blue. Museum of Fine Arts Boston

Mayer, Ralph. The Artist's Handbook of Materials and Techniques, 5th ed., New York, NY, Penguin Group, 1991. https://amzn.to/44OzBN9

Stats

Lightfastness

Excellent in oil and acrylic, may be less LF in watercolor. May depend on pigment supplier

Excellent, but less lightfast in watercolor. At least one of the tests on Handprint show a slight falloff in tints.

Transparency

Transparent

A highly transparent color that is almost black in masstone but extremely chromatic blue in tints and glazes

Toxicity

Thought to be in the category of Lower Concern, but may contain contaminants

Tubes made before 1982 or even 1986 may contain PCBs or dioxins. Current phthalos may also contain toxic contaminants depending on country of manufacture or other variables. Treat all pigments and paints with studio safety protocols. Please see the Artist's Guide to Health and Safety for information about the hazards associated with copper pigments. The author's most recent updated writing can be found through her site.

Tinting

Extremely strong

One of the most powerful tinters. This color is one where it is almost always sold with extenders just to make the paint more usable.

Dry Time

Likely to be a slow drier like other phthalos (other variants are listed as around 5-14 days). Many offerings of PB15:2 dry in less than 5 days and are likely to contain driers.

Oil Content

Medium

Sources vary, but as a pigment it has a medium amount by volume. Some sources say when it is made into a paint, its oil by volume leans toward high

Chemical Name

Copper Phthalocyanine

Dry Pigments listing PB15:2

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