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Top Pigment

Hansa Yellow 65

PY65

Alternate Names

Arylide Yellow RN

Hansa Yellow 3RN

Arylide Yellow 3RA

Pigment Description

One of several hansas, it's a bright orangey yellow or sometimes called Hansa Yellow Deep.

A bright, yellow-orange daub of Hansa Yellow, PY65, in oil paint

Williamsburg Permanent Yellow Deep, PY65

PY65 is frequently found as a single pigment but also popular in blends.

A dollop of yellow-orange Hansa Yellow Deep, PY65, in oil paint

Williamsburg Permanent Yellow Deep

Hansa Yellow PY65 is a slow drier in oils. Paintmakers may add driers to speed it up, so the dry time of an individual tube from brand to brand may vary.

Impasto application of oil paint made with Hansa Yellow, PY65

Williamsburg Permanent Yellow Deep

Depending on the supplier, this pigment can be decent or just moderate in terms of lightfastness. There were some interesting results from Golden's recent lightfastness testing in oils and it looks like PY65 may be quite reactive to pure Zinc White and certain formulations of Lead White. In watercolor, Schmincke gave it three out of five stars, meaning lightfast, but not the highest lightfastness. Bruce MacEvoy's tests showed it to be very lightfast (with test swatches from Utrecht, Daniel Smith and Winsor and Newton).

A swoosh of Hansa Yellow, PY65 in oil paint

Williamsburg Permanent Yellow Deep

In terms of health, we were amazed to hear that this might metabolize to a carcinogenic chemical and also cause methemoglobinemia. See Monona Rossol's work for more.

A jar of Permanent Yellow Deep pigment

Williamsburg dry pigment, Permanent Yellow Deep, PY65

Hansa yellows are one area where the overall quality of the paint brand may show. The Artist's Handbook mentions that hansas are often heavily extended in less expensive paint ranges, and that the extenders reduce the transparency along with causing other potential problems.

Resources

PY65 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com

Information about PY65 from Bruce MacEvoy, Handprint Guide to Watercolors, General information about this class of pigments from Handprint,

Rossol, Monona. The Artist's Complete Health and Safety Guide. New York, NY : Allworth Press, 2001. The book is rather dated, updated information is available from her website.

Stats

Lightfastness

Varies depending on Mixing White

This color varied more than expected in the Lightfastness Testing that Golden recently conducted on mixing whites in oils. For some reason it tanked in both forms of lead white (linseed and safflower) though this may be brand dependent, as well as in pure zinc white. In the other mixing whites tested it performed at ASTM I, excellent.

Transparency

Varies, Semi-Opaque, Semi-Transparent

Pigment is Semi-Transparent, in oil paints may vary from Semi-Opaque to Opaque

Toxicity

Previously thought to be in the category of Lower Concern, however may pose health risks (refer to note)

May metabolize to a carcinogen. May cause methemoglobinemia. Refer to Monona Rossol's work for more.

Dry Time

Slow

Some paintmakers list a dry time of 5-14 days, while others list a 2 day dry time, so may contain driers

Oil Content

Medium to Medium High

Medium by volume, but when made into a paint sometimes it is medium-high.

Chemical Name

Monoazo, acetoacetyl RN

C₁₈H₁₈NO

with PY65 (Hansa Yellow 65)
No single-pigment Oil found with PY65

DISCLAIMER: Please note that we are not experts in health and safety and we are not toxicologists, please consult the proper experts. We are not liable for any issues that may arise from the use of our website or its contents. The information contained in this site is provided without warranty or guarantee of any kind. We do not necessarily endorse any other website that are linked from our site. For any important pigment specs, please reference the manufacturer details. If you discover errors or omissions, please reach out through our contact form. Thank you.

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