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    Top Pigment

    Manganese Violet

    PV16

    Pigment Description

    This is a bit of a palette secret - we quite enjoy manganese violet along with cobalt violet. Manganese Violet is a bit more of a red violet than Cobalt Violet Deep, though Manganese Violet comes in a range of hard-to-find purples.

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    Old Holland Manganese Violet Blueness, PV16

    A mixing violet with many uses. Years ago I read of a painter who suggested that this was one of those heroic colors that was underrated. They suggested using it in flesh tones. The uses for mineral purples are almost endless. Violet is a tricky range for lightfastness and PV16 does receive excellent marks (all 8’s on the BWS).

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    Old Holland Manganese Violet Redness, PV16

    Along with Cobalt Violet PV14, this color is superb as a mixing color to tame greens. It has some transparency to it, but usually for whatever reason when found in oil paint it's semi-opaque.

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    PV16 among the Violets, pigment samples bound in casein, L. Cornelissen & Son, London

    It does contain Manganese, which is probably part of the toxicity rating of B, meaning it does have toxicity. We have read horror stories of what have happened to people when exposed to the dust. While anecdotal, we feel it is only kind to say to steer clear of making the paint by hand. When bound in paint it is said to be far less of a hazard though one must follow careful studio safety with artist pigments in general. For more information on the hazards associated with manganese pigments, see Monona Rossol's book, The Artist's Guide to Health and Safety. Her most recent work can be found through her site.

    This is among the pigments that has a very high oil content, however manganese acts as a drier. Both factors should be taken into account if painting in layers.

    A swatch of Manganese Violet it oil

    Michael Harding Manganese Violet, PV16

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    Kremer Pigments Manganese Violet

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    Sennelier Mineral Violet, PV16

    Resources

    PV16 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com

    Information about PV16 from Bruce MacEvoy, Handprint Guide to Watercolors, General information about this class of pigments from Handprint,

    Rossol, Monona. The Artist's Complete Health and Safety Guide. New York, NY : Allworth Press, 2001. The book is rather dated, updated information is available from her website.

    Stats

    Lightfastness

    Excellent, though refer to notes on mixing whites. May darken slightly.

    This pigment receives highest marks on the BWS (all 8’s). This is considered one of the lightfast violets, though it may not be at its best in Flake White (Linseed), Lithopone, or pure Zinc. In their recent lightfastness testing, Golden found that this pigment may perform closer to ASTM II (very good, but not excellent) depending on the choice of mixing white. In Flake White in Safflower oil, pure Titanium White in Linseed or Safflower it performed at ASTM I. The 1980s era NPIRI gave it solid marks even in outdoor exposures in Florida.

    Transparency

    Semi-Transparent, Semi-Opaque

    Ranges from Transparent to Opaque in oils depending on the formulation. Most often found as semi-transparent/semi-opaque, though this also depends on the pigment load.

    Toxicity

    Hazard, Treat as Toxic, Manganese

    Manganese powder must be treated with extreme caution, do no expose yourself to the dust. For more information on the hazards associated with manganese pigments, see Monona Rossol's book, The Artist's Guide to Health and Safety. Her most recent work can be found through her site.

    Tinting

    Low

    Dry Time

    Fast- 2 Days or Less

    We’ve noticed how quickly this color dries. Colors mixed with this color dry faster as well.

    Oil Content

    Low to Moderate - Varies

    Some sources cite high oil content, others medium, others low. By volume it seems to be low. By weight, Artiscreation lists a range of approximately 23-26g/100g of oil, but your pigment may have different requirements.

    Chemical Name

    Ammonium Manganese(III) Pyrophosphate, or manganese ammonium pyrophosphate

    NH₄MnP₂O₇

    with PV16 (Manganese Violet)
    No single-pigment Oil found with PV16

    DISCLAIMER: Please note that we are not experts in health and safety and we are not toxicologists, please consult the proper experts. We are not liable for any issues that may arise from the use of our website or its contents. The information contained in this site is provided without warranty or guarantee of any kind. We do not necessarily endorse any other website that are linked from our site. For any important pigment specs, please reference the manufacturer details. If you discover errors or omissions, please reach out through our contact form. Thank you.

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