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Top Pigment

Viridian

PG18

Alternate Names

Hydrated Chrome Oxide Green

Transparent Chromium Oxide

hydrous chromium sesquioxide

Pigment Description

A deep Emerald green with transparency. Debate rages as to whether phthalo green (a similar color) can replace the historical viridian, and we have found the answer to be not completely. Some painters prefer Viridian to Phthalo Green PG7 as it is gentler in many respects. Though both are transparent the two have slightly different qualities. When mixing colors that are just shy of highest chroma (which happens a lot in realistic painting) viridian is a much more straightforward green to use. Phthalo can be used, but may take another pigment or two to counterbalance it in order to achieve a similar effect. Viridian is often paired with cadmium in cadmium green mixes, probably due to the copper in Phthalo.

One interesting quirk we've found is that some brands of viridian oil paint actually seem to shift in appearance when dried. Out of the tube they may look almost indistinguishable from phthalo green, however after drying the two may appear different.

Viridian has a very high oil content when made into paint, which may be important to keep in mind if painting in layers.

In the Artist's Guide to Health and Safety Monona Rossol has information on working with pigments containing Chrome, however in her latest work she distinguishes that this color has Chrome III.

Resources

PG18 pigment data from David G. Myers, The Color of Art Pigment Database, Artiscreation.com,

Spurgeon, Tad. Living Craft: A Painter's Process. Mt. Airy, Philadelphia, PA: Zoetrope, 2018. Newer version available here: https://www.thomaskitts.com/page/36804/tad-spurgeons-living-craft,

Information about PG18 from Bruce MacEvoy, Handprint Guide to Watercolors, General information about this class of pigments from Handprint,

Douma, Michael (Accessed June 2026). Viridian https://www.webexhibits.org/pigments/indiv/history/viridian.html. Web Exhibits, Pigments through the Ages,

Rossol, Monona. The Artist's Complete Health and Safety Guide. New York, NY : Allworth Press, 2001. The book is rather dated, updated information is available from her website.

Stats

Lightfastness

Excellent

In Golden’s lightfastness testing in oils, this pigment performed well. There were a few instances where it slid to ASTM II (very good) such as in Flake White in linseed oil, as well as in pure zinc white. Overall it performed at ASTM I (excellent).

Transparency

Transparent

Toxicity

Hazard, Use more caution

Artiscreation assigns a rating between lower concern and possibly hazardous. In the Artist's Guide to Health and Safety Monona Rossol has information on working with pigments containing Chrome, however in her latest work she distinguishes that this color has Chrome III. Treat all pigments and paints with studio safety protocols.

Dry Time

Slow, may contain driers

Spurgeon writes this is, "not the best drier."\Some paintmakers add driers and reduce the dry time to 1-2 days. Driers can introduce their own problems later down the road.

Oil Content

Varies from Medium to Very High

Some sources say very high. Mayer assigned it to the Very High category with a score of 233 (one of the highest). By weight, Artiscreation lists a range of approximately 90g/100g of oil, but your pigment may have different requirements. Weight ratios are a more dialed-in way to go about paintmaking, but volume ratios are more helpful for visualizing relative amounts, since pigments vary in weight.

Chemical Name

Hydrated chromium(III) oxide

Dry Pigments listing PG18

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